Flying Yogis & Dakinis
Ever since I’ve heard of the existence of flying monks, I’ve been intrigued by it…
Ever since I’ve heard of the existence of flying monks, I’ve been intrigued by it…
Offering Buddha drawing classes to teenagers on high schools…
Sad news on April 25th: Massive earthquake strikes Nepal…
I’m assisting Ven. Robina during her visit to The Netherlands and during the teachings she offers.
The wonderful Geisha Exhibition & Buddha Flag painting project at the Museum of Ethnology…
Annual painting classes in Singapore with Mandala of the 5 Elements as subject…
Beauty, art and mysticism on Bali & sunrise at the Borobudur on Java…
December – Thangka Painting Year Training
November – Green Tara & the 21 Taras
October – Drawing Padmasambhava in Venice and Buddha Shakyamuni in Bologna
September – Happinez Festival exhibition of the 8 Auspicious Symbols artwork
August – Festivals, Paris & The Guimet Museum of Asian Art
May – The Sand Mandala in progress: from the first grains of sand to the dismantling ceremony
July- Create a Tibetan Thangka Painting during the annual Thangka Painting Retreat in Italy
My long thangka painting retreat is held each year in Arco, Trento (Northern Italy). Participants come from many different countries and there are many ways of getting there. We took the slow boat.
April – What I do besides thangka painting & teaching
The very first thangka art retreat on the island of Sri Lanka
Art course incl. sightseeing tour in Sri Lanka with subject ‘Guan Yin, the female Bodhisattva of Great Compassion’
For the visits of HH the Dalai Lama to The Netherlands in 2009, 2014 and 2018, thangka painter Carmen Mensink was asked to create large paintings of the 8 Auspicious Symbols to welcome this special master in her country, according to the Tibetan Buddhist tradition.
It’s a Japanese batik style painting created with hot wax.
Here I explain you the process of the artwork that took me 5 hours to make on a cold and rainy day:
On a piece of white cotton you draw/paint an image with hot wax. The wax is much more difficult to paint with than a regular paint. The brushes are pretty big and therefore much more difficult to paint fine lines.
Most parts of the painting have to be painted with wax twice, in order to create really white spots.
On the left picture it shows my artwork on the cotton: a geisha with cherry blossoms in the background and below her a pond with lotuses.
Next, the white cotton is dyed with indigo (the traditional pigment coming from the indigofera tinctoria plant) for about 10 minutes while you slowly stir the fabric.
Because of the wax that has penetrated the cotton thoroughly, those parts do not catch any indigo paint.
On my travels in Asia I’m always drawn to Buddhist temples and, their practitioners and the rituals.
I find it very interesting to see the many similarities in the different Buddhist traditions and countries as well as the many differences.
So when I made my very first trip to Japan earlier this year my main purpose was to not only visit the Buddhist temples but also stay in them and join the ceremonies.
During my Buddhist pilgrimage in Japan I had to collect my first goshuin!
My expectations of Kyoto were quite high, I had always imagined a beautiful small city with lots of authentic streets, temples and buildings and full of blossoming gardens and parks. But I must say that I was quite disappointed when I finally spend some days in Kyoto, and that my expectations were waaaaaay too high….. The city is super large and very modern, even ugly looking, with hardly any trees or parks.
Bintan Island thangka painting course, Indonesia / Singapore
Buddhist Art Classes in Singapore, Japan and Hong Kong!