The Eight Auspicious Symbols for the Dalai Lama

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auspicious-symbols-carmen-mensink-for-dalai-lama

Welcome painting for the Dalai Lama

When a high Buddhist master comes to visit, he is traditionally welcomed by a painting of the 8 Auspicious Tibetan Symbols.

In 2009 His Holiness the Dalai Lama paid a three day visit to Amsterdam, The Netherlands, to offer his teachings and meet with officials. It was a very special event, as it was his first visit to The Netherlands in ten years.

According to the Tibetan Buddhist tradition, a highly respected lama is welcomed to another monastery by Eight Auspicious Tibetan Symbols, that are painted in front of the temple.
Carmen Mensink was asked to design, paint and coordinate this project & ritual, in front of the entrance of the teaching hall in Amsterdam (the RAI conference hall), where about 18.000 people would attend the lectures and teachings of the Dalai Lama.


The making of

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Design
In the months before the Dalai Lama’s visit, Carmen designed the complete artwork, that will be 5 meter wide (16.4 ft). She created a lotus flower shaped diagram with 8 lotus petals, to paint one of the symbols in each petal.
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Basic lines
The day before the Dalai Lama’s teachings, Carmen and one of her assistants started early in the morning to draw out the basic lines and circles for the painting. It is all done on the pavement in front of the event hall.
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Outer circle
First the outer circle is painted. Working from outside to inside is the traditional way of painting thangkas. The colors that are used -maroon red and a golden yellow- are commonly used in the tibetan Buddhist tradition.

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Rough background
In the morning more assistant arrive to help paint the lucky symbols.
Painting is not that easy as the paved area has quite a rough structure.

painting-lotus-for-dalai-LamaPigments
Carmen chose to create the artwork not with regular paints, but with a mixture of loose pigments and water, with the idea behind it that the painting would eventually be washed away by the rain, symbolizing detachment and the impermanence of all phenomena.

Sand mandala
This idea is comparable to a sand mandala; a unique and carefully created ritual artwork made from colored sand that takes many days to accomplish. It is accompanied by prayers and mantras and attracts the energy of the deity (that is connected to the particular mandala). The whole ritual is said to be purifying and healing the environment in which it is made. After the sand painting is accomplished it is dismantled by a ritual and all the sand is mixed together again.

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Dalai Lama arriving
In the meantime, at Amsterdam Schiphol Airport, the Tibetan Community of The Netherlands is waiting to welcome the Dalai Lama in the country. Everybody’s offering katas, the traditional Tibetan blessing scarves. immediately after arrival, the Dalai Lama gives a press conference.

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Eternal Knot
The Eternal Knot is beautifully shaded to give it a three-dimensional feel.
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The inner hub
In the inner hub the welcome text for the Dalai Lama is written: The Netherlands welcome His Holiness the Dalai Lama 2009
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The Dharma Wheel
It takes a very long time to draw and paint each symbol. This is the golden Dharma Wheel.
Mandala
The shape of the painting looks a bit like a Tibetan MandalaMandala is a Sanskrit word, and its Tibetan equivalent is dkyil-khor, meaning ‘that which encircles a centre.

The symbols
In addition to the Eternal Knot and the Dharma Wheel, the Pair of Golden Fishes, the Umbrella, the Lotus, the Victory Banner and the Treasure Vase were painted in, as well as the White Conch Shell.

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Slowly and bit by bit the painting is coming together and everybody works tirelessly till late in the evening, until it was completed.

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Completion of the painting
To protect the artwork it was covered with plastic for the night (in Holland it tends to rain a lot!). The next morning at 6.30am, on June 4th, Carmen took it of again and prepared it for the special day, ready for H.H. the Dalai Lama to see, as well as the 18.000 people who attended his teachings that day.


The short video shows part of the teachings H.H. the Dalai Lama gave that day (translated in Dutch by Hans van den Bogaert), in the big hall full of people.

auspicious-symbols-carmen-mensink-for-dalai-lama      dalai-lama-booth-carmen-mensink-with-sashi-kumar
A wonderful day
Besides the wonderful teachings and the painting, there was more to explore. Inside the event hall Carmen had a booth that day where she sold her thangka paintings, mandala posters and Buddha cards. On the right she poses with her friend and thangka painter Sashi Kumar. People from Amnesty International next to her were handing out roses to everyone.

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Meeting the Dalai Lama
At the end of the day, Carmen Mensink had the opportunity to offer some of her thangkas to H.H. the Dalai Lama Read More

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Rain drops
And when all thousands of people had left in the evening it started to rain…
Carmen went outside to check on the painting and the big drops of rain had already slightly affected the artwork.

But the most amazing thing was to see how people had spontaneously put their roses around the whole painting! Imagine how a few people started putting their rose down and hundreds of others followed… the symbols painting became a symbol in itself, symbolizing the wonderful day that we all had been part of… so very touching.

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Impermanence
A while later the painting had faded away a bit more, the colors slightly mixing, and days after the event it would be totally faded and washed away naturally. Something that started from emptiness went back into emptiness again…
Just as everything else in our life.

Another large painting for the subsequent visit of the Dalai Lama

For the Dalai Lama’s subsequent visit to The Netherlands in 2014 (in Rotterdam this time), Carmen Mensink was asked once more to welcome this great master with a painting of the Eight Lucky Symbols. This time she made a different painting of the 8 Auspicious Symbols… Read More

 

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Chenrezig

Home > Artwork > Thangka Drawings > Avalokiteshvara/Chenrezig

The Bodhisattva of Compassion

Chenrezig (Skt.: Avalokiteshvara)

The Bodhisattva of Compassion

This detailed drawing shows the Bodhisattva of Great Compassion, who is seen as the protector deity of Tibet. His name in Sanskrit is Avalokiteshvara, ‘The One with an Unwavering Eye’.

Chenrezig is the Bodhisattva of Compassion and Protector of Tibet. His Holiness the Dalai Lama is seen by Tibetan Buddhists as the earthly incarnation of this compassion Buddha.

As these special beings can appear in any shape or form in order to help the best they can, there’s not only this four-armed form, but there’s a Thousand-Armed form of Chenrezig as well, as well as wrathful forms.

The Three Great Bodhisattvas

He is often depicted together with Vajrapani and Manjushri (Buddha of Wisdom), these being The 3 Great Bodhisattvas:
3-great-bodhisattvas

Chenrezig teaches us the lesson that the road to the end of our suffering is not one that runs away from our personal problems (as most of us do), but it is rather working through them with compassion for yourself and others, and embracing all sentiens beings with the compassion and love of our heart.

chenrezig-avalokiteshvara-4-arm-by-carmen-mensink

Chenrezig Drawing
Copyright: © Carmen Mensink 2000
Status: Sold

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Green Tara

Home  >  Artwork  >  Thangka Paintings  > Green Tara thangka by Carmen Mensink

Green Tara
The Mother of all Buddhas

Green Tara is the most famous female Buddha in the Tibetan Buddhist pantheon. She is also known as ‘Mother of all Buddhas’ and is regarded the female manifestation of active compassion.

Green Tara stretches out her right foot and is therefore ready to step down and help all who call out for her or recite her mantra. She reaches out to grant all wishes and there are many stories of people that were saved from difficulties or fears when calling her name.

Being one of the most revered deities of Tibetan Buddhism, Tara is often seen as one of the first emancipated women.

The story goes she was a very devoted girl who used to pray for hours and making extensive offerings to the Buddhas. But when other, male, practitioners noticed her capacity they told her this was all useless unless she would pray for a next incarnation in a male body, as this would be the only way to reach enlightenment.
But Green Tara had the deep insight that ‘female’ or ‘male’ are just labels we put on things and therefore she made the following adamantine vow:
‘Until Samsara is empty, I shall work for the benefit of all sentient beings in a woman’s body.’
Thus she did, she became one of the first enlightened women.

Green Tara Thangka by Carmen Mensink
Painting on traditionally prepared canvas

Copyright: © Carmen Mensink 2003
Status: Not for sale (but can be painted on commission)


Carmen Mensink’s drawing of Green Tara, the half-finished thangka that she made of it, and the finished painting on an altar with tulips at her home in Amsterdam 🌷

Learn how to draw or paint your own Green Tara
Before learning to draw/paint complete Buddhas, one always starts their thangka journey with the basis and learn to draw the Face of the Buddha, that you can do at Carmen’s online School for Tibetan Buddhist Art.
You can also check out all upcoming thangka art courses (online and onsite), or book a private thangka drawing or painting retreat with Carmen Mensink in Amsterdam.

Have this artwork hanging on your wall
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